15 Oct 2013, 9:34pm
Farming Photos
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Old Barns

stool for trimming hooves
stool for trimming hooves, and halters.

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shank hung up

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bale worn smooth by necks of decades of herefords.

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harness in the salt sink.

porcupines chewing where the salt bag sat
where the salt bag sat, chewed by porcupines.

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The manger generations of kittens were born under.

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window in the manger.

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horse blanket, empty stall.

Our World Tuesday/Wordless Wednesday.

Quote: “A jackass can kick a barn down, but it takes a carpenter to build one.” ~ Sam Rayburn

The Importance of the Prairie Grasslands

Ready, set? Time for 13 things.

  1. It’s funny when travelling with 2 changes of clothes, I always have something to wear but look at a closetful and I can say, I got nothin’. Working while travelling, I have things to read and write. Back home, there’s an infinitely long to-do list.
  2. Decision Paralysis has a cure: Start Somewhere.
  3. it is personal. there are main streams of patterns. it is personal. there are main streams of patterns.
    Tracks. Must follow. It sinks quite a lot in the mire. It must be a big Heffalump.
  4. why Pooh, it's you
    Why Pooh, it’s you.
  5. (I knew that.)
  6. On a more serious note, we have some people doing truly useful things, such as Dr. Alberto Yanosky, executive director of BirdLife Partner Guyra Paraguay. He has won the 2013 National Geographic Society/Buffett Award for Leadership in Latin American Conservation.
  7. Alberto Yanosky
    Alberto Yanosky has been helping preserve natural habitats sine the 80s. He’s pictured here at a welcome to the Grassland tour organized by Public Pastures-Public Interest.
  8. He’s talking about what he’s learned with local people to Saskatchewan who are pressing the importance of keeping unbroken tracts of pasture ecology, and managing it with the help of ranchers.
  9. The issue at stake is that formerly publicly community owned pastures (larger than Prince Edward Island) is being transferred to the Federal and Provincial government with that possibly being sold to private citizens. The risk there is chopping up the continuity into tract houses. Like forests habitats, pastures work best in uninterrupted stretches, not as scattered islands. Here’s some info on Community Pasture System.
  10. You may have seen that our knowledge of grasslands is inching up. One diligent fellow has learned to translate some of prairie dog language which can convey some details of size, shape, species, speed and if human, if armed. (If we can get a bit of rodent speech, maybe human’s might not all be dullards.)Cadmus DelormeDr. Lynn Wells, Vice President Academic.Dr. Fidji GendronTrevor HerriotAlumni Cadmus Delorme, Dr. Lynn Wells, Vice President Academic of First Nations University, Prairie Biologist and Professor Dr. Fidji Gendron, and Trevor Herriot (who has spent decades observing grassland birds and has a book on them.). They talked about the key importance of valuing the species of the grasslands.
  11. Graeme GibsonMargaret Atwood  press scrum
    There’s a fundraiser dinner tonight in Regina with Graeme Gibson and Margaret Atwood.
  12. There’ll be other noteable guests. Glenn Olson of the National Audubon Society, Rob Clay of BirdLife International, Dr. Alberto Yanosky, from Paraguay, Southern Cone initiative and BirdLife International and Ian Davidson, Executive Director of Nature Canada. And a media conference on Friday.

  13. Here’s a few second video of a crayfish as zhe battles the whitecaps washing in at Lumsden Beach, Saskatchewan.

Noteable Quoteable: “Funny, how gentle people get with you once you’re dead.” ~ Joe Gillis, Sunset Boulevard

24 Jun 2012, 9:00am
Farming Photos
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What Grows

cucumber
The cucumber in its private greenhouse of a pop bottle blooms. As delicious as its stems are (apparently) no one dug under and threw off the top.

red pepper plant
One of the surviving red bell peppers in chicken wire. It won’t get an identity crisis and start laying eggs I presume.

The cayenne ran out but it nothing ate the eggplant while it was dusted. The new enclosure should prevent the carrying away of other seeds.

yellow banana pepper blossom
The first blossom of the banana pepper.

salad mix, the early days
Salad greens, the early days.

beans and their strings
Remember those wee bean sprouts?

the tomatoes start their blooming
Tomatoes are coming.

watering
Water has arrived.

Quote: “The shovel is my companion species” ~ Monty Reid, In the Garden

26 Apr 2012, 9:58am
Farming Photos
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This Gardening Stuff is Complex

seedling technique needs work
Our seeding technique needs work; when they say plant a bunch, wait a week or two and plant again for successive crops, ‘let the first round die off’ is not implied.

The tomatoes are fine. The arugula died off.

In in round 2, calibrating how much water brought mould-cover to take over the basil.

Round 3. Peat moss pucks are about the size of one-bite brownies once rehydrated. They were sitting on a tray on the counter by moonlight. Hubby came home and presumed brownies! I came around the corner of the kitchen just as one was being lifted to his mouth. A narrowly averted strange facial expression as he chews.

Ah, back to home ground of what I know better: Tonight rob and I give a talk/Q&A on contemporary poetry at the National Library & Archives.

Quote: “The first step towards getting somewhere is to decide that you are not going to stay where you are.” ~ Chauncey Depew [via Comfort Spiral]

Rob MacInnis: Questioning the Narrative Given

Rob McInnisRob MacInnis gave an artist talk at SPAO at the end of the year. He was just in town briefly as he’s doing his Master of Fine Arts in Photography in Rhode Island. Amid the shuffle of moving, the hopes of writing that up while the exhibit was still up disappeared. But this Thursday his family portrait of the farm animals will be auctioned as a fundraiser.

During the evening of Feb 9th at School of Photographic Arts Ottawa one image from each of these photographers will also be on offer to the highest bidder: David Barbour, Jim des Rivieres, Tony Fouhse, Leslie Hossack, Pedro Isztin, Michael Schreier and Michelle Wilson. (Links to images here.)

MacInnis is an interesting fellows, one of those rare souls who are truly curious about the world, an explorer. He used to be at NSCAD, a design school in Nova Scotia. For class project they were to do portraits and he kept drawing object, like a toy donkey for every style of assignment. His teacher was frustrated with his choice and insisted that he do a life portrait, no more toys. Ok, he complied. And went off and found a donkey in person. This independent-mindedness led him to a farm. Having been city-raised he’d never really seen animals outside a petting zoo. Eventually his path to the Donkey Sanctuary of Canada. The Donkey Sanctuary has, since 1992 provided 100 acres to rescued animals. 61 equines (donkeys, mules and hinnies belong to the equine family, for those who may not know) are there, and 40 more are out at foster homes.

But before he came to that place he went off to tour South America and took around 6000 photos in the process. He became conscious of the tourist photographer as a detached outsider and exploitive viewer. He became troubled by this sense that photograph consumes subjects, He said.

“I began photographing farm animals because I was interested in using them as a metaphor for the fashion model. I wanted to draw parallels between literally consuming them, which we do everyday, and the way the photograph ‘consumes’ its subject.”

He did some sculpting instead. He considered. He looked at the history of panaramas and how they are the photography of the blue color history. They were the working class access to being immortalized. People could only afford a portrait if a whole factory chipped in for a group photo. Eugene Goldbeck a panorama photographer from Texas started photographing large groups about a century ago. It seemed clear to MacInnis, and to me, that animals are our working class. They are our labourers without rights, unions or health protections. They’re the lowest tier of our society.

At My Modern Met he says,

“Over the last five years, the project has evolved into more of a critique of photography’s role in our society. I’ve experimented with different genres of photography; fashion, family portraits, documentary, narrative, and panorama, always using farm animals as the subject matter. I wanted to explore more how the camera manipulates its subject and constructs a reality, more than learn anything directly specific about the animals.”

He wants his Hasselblad photos to wobble on the line of plausible and implausible. Some images look staged and yet are real due to the perspective of presenting a donkey on a school stage, with curtains and formal lighting, yet from behind the scenes showing the staging. It plays with the sense of what is real.

One thing I liked about his presentation was that he presented things he’d seen, not as if this is the Way Things Are. He said he’s unsure if he is a photographer, and although a couple people in audience chuckled at if it were false modesty, or as if to assure him, it seems to me not a soliciting assurance but a plain truth from a seeker.

He took about 30,000 hours to do portraits of 80 animals from around PEI to try to match time of day and angle so they could be assembled into a digital composite photo. It took him about 2 years as a labour of love. His farm animal portraits are a send up to Annie Leibovitz style of fashion photography, recreating some of her poses, except with sheep or a family group of dog, chicken and other farm animals.

He’s a fellow who makes choices that follow his own bliss. He’s also part of the 19-member cheer brigade punk marching band that has been making joyful noises for 6 years and was part of the video that went viral to millions of hits and onto CNN: Joey Quits. It become part of the campaign for hotel service worker rights. More here.

Monty Reid did a Call and Response set of poems on MacInnis’ photos called So is the Madness of Humans. The poetry end of the project is curated by rob mclennan.

Today is the last day to see the current exhibit of Pedro Isztin. The Call and Response is Shadow Lines by Sandra Ridley. In a couple weeks the new show will go up with Christine McNair responding with words to the images of Solo Series No. 1: By Hand by Caroline Tallmadge.

refracted light
Beauty and doors have a way of suddenly being there.

Quote: “Where there is no belief, there is no blasphemy.” ~ Salman Rushdie

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